Republic of China and the United States of America. Representation through iconic maps
was considered and rejected as they are used often to symbolise international interactions
and they didn’t have the ability to portray subtlety the articles’ interactions for the cover
design. In the introduction there is reference to ‘panda huggers’ and this brought to mind a
cover concept in which national animals were used to represent the countries. The eagle for
the USA as the world’s biggest military and economic power, hovers over a panda only
slightly smaller reflecting China’s economic and military growth. Both loom large compared to
the kangaroo symbolic of Australia, a middle power that has ‘outsourced’ its foreign and
defence policy to the USA and allowed its exports to become hostage to the sensitivities of
the People’s Republic at the same time as becoming a leading critic of its policy. Further
inspiration was provided by several political cartoons that utilise animal symbols. Further
representation of a nations symbols is provided by the use of merging the national flags in the
background. The colour red features strongly as the colour symbolic of China, but also
featuring on the flags of all three countries. Albeit, many world flags use the colour red to
depict courage, revolution, hardiness and valour with the antonym being historical or current
hardships faced by a country.
Foreword
Title | Author(s) | ||
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Foreword |
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3 | Introduction to Australia, China, USA | Bronwyn Stevens |
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Articles |
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10 | The Long Road Down: How the Party of Lincoln became the Party of Trump | John Kane |
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21 | Governing China: Some realities | Xu Yi-chong and Patrick Weller |
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31 | Historic Dimensions to the Senkaku Diaoyu Islands Territorial Dispute | Brett Huyton |
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37 | Australia–China Relations in Decline: An alternative viewpoint | Colin Mackerras |
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Short Stories |
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57 | Shapeshifter | Bethany Cody |
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59 | Petroleum | Travis Lucas |
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Book Reviews |
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61 | The Music Advantage | Ms Jennifer Trijo |
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61 | Peace in the Age of Chaos: The Best Solution for a Sustainable Future | Ms Jennifer Trijo |
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Poetry |
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9 | Aubergine | Jules Leigh Koch | |
9 | Coastal | Laurie Duggan | |
20 | Kinder Gardens | Alvin Pang | |
20 | Almond | Jules Leigh Koch | |
30 | Not ready | Alvin Pang | |
30 | Here it’s our workmen | Alvin Pang | |
36 | you take it | Harry Laing | |
44 | you take it | Tracy Ryan | |
47 | The Claimant | Petra White | |
50 | titular | Em König | |
50 | Abandon | Christine V. Lao | |
50 | officer officer | Em König | |
54 | headlong (with Icarus) | Harry Laing | |
54 | Weather report | Christine V. Lao | |
54 | The Month of ApriL | Petra White | |
65 | Sundori | Amelia Walker | |
66 | Some Notes Towards the Execution of a Suite of Poems Concerning Insects | Jennifer Compton | |
Misc. |
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45 | China Threat: A Cluster of Confusions and Contradictions | Michael McKinley |
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48 | Hobart City Elections, 2018: Intimations of the coming cold war | Henry Reynolds |
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51 | Forty Years of Australian Studies in China | Li Jianjun |
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55 | Australia's Foreign Policy Void | Alison Broinowski |
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